Description: A cartoon design for a wall decoration showing Nicolaus Copernicus seated with compasses in his right hand, most probably drawing the heliocentric pattern. Astronomical instruments at his feet include an armillary sphere. Copernicus is dressed in a long robe with a characteristic neck ruff and thus stylised into a 17th c. scholar. The drawing was made in the 18th c
Description: Representation of Copernicus holding an object symbolising the heliocentric pattern in his left hand based on a copy of an oil painting by the Italian painter Ridolfo Curado (known as Ghirlandaio). Half-length figure of the astronomer with his hair gently swept back, a copy of Copernicus' signature beneath
Description: Representation of Copernicus in a rectangular frame with rosettes in the corners. The quarter-length figure of the astronomer in half-profile to the right. The engraving was based on the so-called Toruń portrait formerly belonging to the Academic Gymnasium in Toruń. The characteristic fur-lined collar of Copernicus' tunic is somewhat different from that in the original engraving by Theodorus de Bry. Inscription: Copernicus Eigenthum & Verlag des bibl. Instituts in Hildburghausen beneath. This engraving from the mid-19th c. is a typical example of 19th c. popular graphics
Description: Poster issued on the occasion of Nicolaus Copernicus' 450th anniversary by the Pomeranian Division of the Polish Red Cross. Designed by Felicjan Szczęsny Kowarski based on a portrait engraving of Copernicus from Dominik Witke-Jeżewski's collection, the poster is kept in the collection of the National Museum in Warsaw. The lower part features a panoramic view of Toruń as seen from across the Vistula river
Description: Three-quarter length figure of Copernicus facing right. Inscription 'Nicolaus Copernikus' beneath. Lithograph made in Dresden for the printing house 'Borussia.Museum Preussische Vaterlandskunde. Dritter Band' based on Jocob van Maurs's engraving and taken from Pierre Gassendi's Nicolai Copernici vita in which Copernicus is shown wearing a large tuned down collar. Another feature characterising the drawing is the characteristic softness which imparts a sense of gentleness to the figure represented
Description: Copernicus holding a small telescope in his left hand with his right holding a sheet of card covered with drawings resting on his lap. He is sitting. His full figure is shown leaning against a monument and a globe; landscape with a sun-dial in the background. Lithograph taken from the periodical Przyjaciel Ludu (Friend of the People, 1839, issue 35) based on a painting by Jan Krystian Gładysz
Description: Portrait of Nicolaus Copernicus based on his epitaph effigy in SS Johns' church in Toruń and printed in Christoph Hartknoch's Alt und Neues Preussen, Frankfurt 1684. The print is a mirror image of the original source. Like the original though, the lower part of the picture features an intriguing sentence, an excerpt from an ode to the Passion of Christ by Pope Pius II in which the author compares the astronomer to a criminal crucified alongside Christ. The caption which labels Copernicus as a mathematician from Toruń must have been taken from the engraving by Theodorus de Bry printed in Boissard's Images